Sadly, John Corigliano’s film outcome is - although brilliant, very limited as he’s primarily a concert / chamber / orchestral music composer who’s rarely dealt with our beloved medium. However, when the opportunity to score Martin Campbell’s new movie – The Edge of Darkness presented itself, the whole community was rejoiced. Rarely does one hear scores gifted with the graces of – say, The Red Violin (Corigliano’s famous Oscar-winning musical work for the same-titled movie) and the announcement of another film assignment for the composer after all these years brought excitement and anticipation in the entire community.
However, (and I quote from moviescoremagazine.com), John Corigliano’s score for the upcoming Mel Gibson thriller Edge of Darkness, directed by Martin Campbell, will be replaced by a new score by Howard Shore. The switch of composers was first indicated when the theatrical poster for the film appeared online this week, showing a credit block that makes no mention of Corigliano but lists Howard Shore under the “music by” tag. Warner Bros. has confirmed to MovieScore Magazine that HowardShore is replacing the score but did not comment on the reasons behind the replacement. The film is produced by GK Films and Warner Bros. is distributing with a release date set to January 29.
Movie details from wikipedia:
Edge of Darkness is an upcoming film adaptation of Edge of Darkness, a 1985 BBC television series. The film stars Mel Gibson and Ray Winstone, and is directed by Martin Campbell and produced by Michael Wearing, who also directed and produced the series respectively. Edge of Darkness follows a detective (Mel Gibson) investigating the murder of his activist daughter (Bojana Novakovic), uncovering political conspiracies and cover-ups in the process.
As homicide detective Thomas Craven (Mel Gibson) investigates the death of his activist daughter (Bojana Novakovic), he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
For more, stay tuned and read into the original link (found HERE) for the whole article.
MTV recently interviewed composer Howard Shore about his involvement in Guillermo del Toro’s and Peter Jackson’s Hobbit prequels to the Lord of the Rings trilogy. Shore confirmed that he has indeed started composing – as was the case with Lord of the Rings, a lot of the musical elements is being sketched out even before there is any footage available. Right now, according to Shore, much of the focus is on the on-screen source music that needs to be created for the films. About scoring The Hobbit as a part of a larger piece of art and referncing music that has already been established in the trilogy, Shore said: “Certain things will have to be referenced really, possibly in a more simple way, a less complicated way. So that you feel that The Hobbit is a part of this [larger] story.”
For more info please visit moviescoremagazine.com, here.